What was the horror movie in juno




















Scott Pilgrim vs. Ebert Presents: At the Movies: Episode 1. Ebert Presents: At the Movies: Episode 2. LOL Movie poster on the wall of Lola's room. Chelsea Lately: Episode 6. Neighbours: Episode 1. In Juno, Rainn Wilson plays a convenience store clerk that sells a blue slurpy that the titular character later throws up.

Where Are We Going? Chelsea Lately: Episode 7. Simmons ' earlier film. De slimste mens ter wereld: Episode 5. The Chase Australia: Episode 1. Late Night with Seth Meyers: J. Jason Reitman used the different seasons to frame the story in because he thought they mirrored the three trimesters of Juno's pregnancy.

The animated opening title sequence was created by a company called Shadowplay and the shots of Elliot Page walking were achieved by having them walk on a treadmill which was later removed. The "pork swords" on the track team were achieved by hanging balls from the inside waist band of their shorts.

Director Jason Reitman then asked the boys to kick up their knees as they ran so the balls would bounce. After box office success and gaining a large following, Jason Reitman was asked by Executives on the possibility of doing a sequel, to which he stated "What could it possibly be, Juno gets pregnant again?!

The original title of the film was going to be "Junebug", but was changed so it would not be confused with Amy Adams ' Junebug The scene where Juno pulls the van over and cries on the side of the road was added after filming had already been completed and Elliot Page had gotten a hair cut. They are wearing a fake ponytail and their long bangs were trimmed into more of a face-frame cut that is visible in the shot.

Jason Bateman and Michael Cera worked together previously playing father and son in the television series Arrested Development. The hamburger phone also turns up in Bleeker's room, and can be seen clearly in the background. At one point before Juno visits Mark, he is sitting at his computer reading Diablo Cody 's the movie's screenwriter real-life blog, known as "The Pussy Ranch". Jason Bateman 's character, Mark Loring, struggles with the idea of becoming a father.

In real life, just before the movie was shot, Bateman's wife had just given birth to their first child. Juno's handwritten message in Bleeker's yearbook was actually written by Diablo Cody. Elliot Page 's Best Actress Oscar nominated performance was the only nominee in the category in a Best Picture nominee that year.

In an interview with The Guardian in May , writer Diablo Cody said that the one thing she would have changed about the film is to make it clearer as to why Juno chooses not to have an abortion.

She said "It was simply because she did not want to. It was not about any type of feeling that abortion was wrong - I'm pro choice. Director Jason Reitman mentions on the DVD audio commentary that several objects in Bleeker's room, including a Hebrew alphabet poster on his door, a framed Bar Mitzvah certificate on his wall, and a dreidel on his shelf, are supposed to indicate that Bleeker is Jewish.

No cell phones are used in the movie. Olivia Thirlby originally auditioned for the lead but was eventually cast as "Leah". The "stupid" T-shirt Mark is wearing is for the album 'Superunknown' by Soundgarden. Juno was the Roman Goddess of childbirth and marriage.

The name "Juno" also has other meanings for Canadians where Juno was filmed and a number of cast and crew - such as Elliot Page , Michael Cera and Jason Reitman - were born. Approximately Canadian soldiers were injured or killed on D-Day while capturing this beach. Grammy awards. Juno tells the story of a young independent woman dealing with heady issues such as abortion, adoption, and love.

The Wizard of Gore is about dismembering women in the most horrific ways possible. Still, the movies have a bond. It is established in Juno the titular character loves horror movies.

Her initial reaction is to mock the title and talk about how stupid it looks. When told how bloody and scary it is, she goes on a rant. While it can be debated where Argento belongs in the Horror Hall of Fame, there is no questioning his placement. He is an absolute legend whose influence is still felt today.

Suspiria is a landmark achievement. It is atmospheric, filled with great music, and has its fill of brutal moments, but it is not the goriest film of all time. The Wizard of Gore is a splatter fest that revels in blood and guts and does everything it can to live up to its name. There is a disembowelment, people being burned alive, and the creative use of a chainsaw. Each scene is shot with painstaking detail that in could rightfully earn a film the title of goriest ever.

It was the first film to make the exploitation of violence its main selling point. Earlier films, from "Horror of Dracula" to "Poor White Trash," shocked audiences with relatively discriminating displays of violence. But "Blood Feast" was the first horror film expressly designed with the goal of attracting viewers with gore-soaked set pieces. It starts with a "Psycho"-inspired murder, wherein a teen girl has her legs hacked off with a machete while reading a book called, "Ancient Weird Rites," in the bathtub.

Then another girl is scalped while necking on the beach. And just wait until you see what they pull out of Astrid Olsen's mouth. In British documentary Fear of the Dark, Halloween director John Carpenter praises "Blood Feast," and specifically commends Lewis for, "[wanting] to slap us in the face, and say, 'Look at this stuff. Being experienced exploiteers, Lewis and Friedman advertised "Blood Feast" as a peerless cinematic milestone.



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